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Wayward tales and dusty sails line the shipyards far away, off somewhere, on the edges of the country. Here, there is no water, only that which is filtered and re filtered and hosed through the ground underneath our shoes. There’s well water, too. The bugs like that, and so do the aliens, I think. The aliens are everywhere, and they lay traps for us that we can’t see. In the old wooden house, on the old dirt street where the scent of burning wheat fields is always aglow, there’s a ghost that sits in a rocking chair, on the second floor. He laughs a lot, and when he laughs he sounds like a crow. A hacking crow, a rabid bird, a two-headed alien. Who knows. There’s an old lady on the first floor, she said that she asks the ghost for rent every month but he always says no. He stinks up the toilet, he overflows the bath, he laughs and creaks his rocking chair around, so that it echos a horrible sound, and the lady on the first floor never knows where he is, he just goes and goes.
Out there by the ocean there must be a change. A hark, or a bellow, a small one even, like the crunching sound apples make while horses chomp, chomp, chomp. There must be another way to live than this, a way that involves shiny People talking on the street, in a shop, on a boat. People yelling, and laughing, with live vocal chords and shadows.
Remember what the pastor said. It was just their time. You carry on the farm by yourself. You’re a man now you can do it. And I just looked at him and saw my parents lying on a tree, pushed over a carriage whose horse had all but left the scene entirely. Their heads looked purple, swollen, hollow, their eyes both open, still looking.
The farm is mine and so, I will never see the shadows on boardwalks and that is what it is. It is just the old man in the rocking chair who refuses to pay rent. The aliens watching me, the wheat-smoke burning perpetually, staining my bed sheets with the secure feeling of time passing, and grains growing, and people-less miles, for miles and miles, until you can’t see the spec that was a stop sign, about an hour ago. The rock that was a landmark, before you knew the road.
I bet she was in the middle of re-arranging her plastic horse collection. She always did that. We had only been dating a few weeks, but in ninth grade years, it had been approximately six months. I began calling her when I was bored, which was most of the evenings in those days.
“I’ve come to realize that the ultimate selfishness is life itself,” I said.
“How absolutely horrid,” She said genuinely, although I don’t think she had ever used the word horrid before.
“Sleep is selfish,” I continued. “Keeping yourself alive and content requires all of one’s own attention and a complete disregard of others.”
“That’s true,” She said quietly, and nothing else. I knew what she must have been thinking. “He blames his discontent on a veil of innocence, a veil that he wished was there but it isn’t really.” That’s what she should think. If she’s worth any time.
Instead she said, “You’re so cynical. You should be more positive. Life isn’t so bad.” I bet she was twirling the phone cord. She always did that.
“You never see blackbirds just on the street like that,”
A little crow, that blackbird.
A little raven, that crow.
A crooked step while she stumbles over her own slender stalks of legs, the finger feet like shoelace strings, so painfully they did waver as she took a pointed little raven step.
A certain hiss when she squawked.
But really, the blackbird didn’t make a sound. Really, she didn’t do much.
We just watched her, with the clouds looming around, and the hill to our left, the storefronts still two blocks to go.
My shoulders are two tensed touching triangles over the place at which the sun is rising. Use the day! Use it until it’s washed up and done with, over and completed. To Do lists, Echinacea through my lips, fingers twirling knarls of hair. Where am I? Sometimes, I am nowhere. Sometimes, I tie my feet around the bottoms of the covers and hood the top over my head, so that all I can see are the lit up colors through the cotton, the way my golden sheets reflect the yellows in my skin. I listen to jazz and smile a little to myself, longingly, as though I were in an old movie. Sometimes, this is all that I can do in a day. Other times, it only takes a morning, with the sun spreading fast over citrus trees and orange leaves. These days have a purpose, and are therefore sacrificed to the increasing rapidity of the World. It is thrown into the street and becomes a part of the street, the traffic, the bicycles and buses. When I leave my bed, the day is no longer mine.
My eyes are in pain over the things that I hear. It could be a simple flutter outside my window, perhaps a nocturnal hummingbird, a freak in its pack, banging its long beak, looking in, right at me while I sleep. Maybe its just the wind. But now I am awake and there is no stopping the morning, and so I shiver, shake my head, feel weepy. I put my hands around myself and pretend that small construction workers are hammering my eyelids down, or sewing them closed with needles that need six pairs of their little hands to heave. I imagine them, and sometimes they do their jobs, they glue me down good, right back into slumber. Other nights, I am nowhere, and I see the little men flying off my face in terror, as the force of my huge eyes open, stay open.
The tops of my wrists are almost transparent, and it curdles my throat to look at them. The skin–paper thin, the veins–so close to the edge of my insides. If my veins had eyes they could see me, too, right through my skin, like I see them. I suppose to them, I would be a bleary picture behind layers of watery beige tones.
Like the inside of my mother’s uterus. A warm, peach hue, the sound of running water, sac-like. tadpole-like.
My parents say that I don’t really remember being inside my mother. My eyes weren’t even open, and of course I simply imagined it. But It sits in my head so clearly…
And when I am nowhere, I think about that memory I still claim to have. The dark warmth, opened by the suggestion of a hospital’s fluorescent light. That’s when it ends, or when I began, I suppose.
Tomorrow, it would behoove me to get out of bed. To force myself away from the uteral lining of my comforter, through the walls of shaking anxiety, constantly slapping me down, holding me to the ground, paralyzed, choked, finalized. It all happens quickly, as fast, if not faster than a sunrise, or a hummingbird waking up, or a person waking up. The moment, when you are pulled out, and the fluorescent day is sacrificed. Work to live, lie down to live. Relax to live. Wake up again. and again.
My wrists hurt to look at, and yet I force myself to do just this, quite often. I want to love them, so I just stare at them, with my hands making fists, trying to catch the eye of a vein, or the part of me floating around in there, somewhere, that part of me that will make me accept my wrists, and the fleeting days, and the way my throat sometimes closes up in the mornings. After all, I am but a small tadpole, just inside this little egg, made of the same gelatin that creates eyeballs, and fingertips, and parted lips. The same kind of sac that surrounds my brain, makes me feel weepy and desiring of undefinable things, which usually wash away with a shower.